Italian painter, Brescian school (b. ca. 1484, Brescia, d. ca. 1559,
Brescia).
Måleriet identifieringen:: 8947
Fromhet 1510 Olja på panel. 183 x 185 ) cm Galleri dell~Accademia. Venedig Italian painter, Brescian school (b. ca. 1484, Brescia, d. ca. 1559,
Brescia).
Måleriet identifieringen:: 7827
Fromhet 1643-45 Olja på segelduk. 146 x 222 cm Fundera du Louvre. Paris French painter (b. 1619, Paris, d. 1690, Paris)
Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia).
Måleriet identifieringen:: 29786
Fromhet mk67 Olja på panel 66 1/8x69 5/16in Uffizi.Gallery Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia).
b. cca 1400, Rottweil, d. ca. 1445, Basel. German-born painter from Rottweil in Swabia, active in Switzerland.
Måleriet identifieringen:: 31731
Fromhet mk76 Datum okänd Temperamenten på panel 13 1/8x17 1/2in b. cca 1400, Rottweil, d. ca. 1445, Basel. German-born painter from Rottweil in Swabia, active in Switzerland.
Måleriet identifieringen:: 33331
Fromhet mk86 1365 Temperamenten på trä 122x58cm Florens Galleri dell~Accademia Italian Gothic Era Painter, active 1350-1369
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Måleriet identifieringen:: 33475
Fromhet mk86 c.1519/20 Olja på trä 99x120cm Vienna.Kunsthistorisches Museum b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Måleriet identifieringen:: 55976
pieta mk247
1494 to 95,tempera on wood panel,24.25x35.75 in,62x91 cm,uffizi,florenec,ltaly Italian
1450-1523
Pietro Perugino Galleries
Måleriet identifieringen:: 86113
Pieta Date 1510(1510)
Medium Oil on panel
Dimensions Height: 183 cm (72 in). Width: 185 cm (72.8 in).
cjr Italian High Renaissance Painter, 1484-1562
Måleriet identifieringen:: 86567
Pieta 1889(1889)
Medium Oil on canvas
Dimensions 42 x 34 cm (16.5 x 13.4 in)
cyf Dutch Post-Impressionist Painter, 1853-1890
Måleriet identifieringen:: 86904
Pieta Date 1508(1508)
Medium Oil on wood
Dimensions Height: 80 cm (31.5 in). Width: 80 cm (31.5 in).
cjr Italian
1480-1556
Lorenzo Lotto Galleries
Måleriet identifieringen:: 87154
Pieta Date c. 1464(1464)
Medium Oil on wood
Dimensions Height: 35.5 cm (14 in). Width: 45 cm (17.7 in).
cjr Netherlandish Northern Renaissance Painter, ca.1400-1464
(c.1469-1525) was a painter from Reval (now Tallinn, Estonia) who was trained in the tradition of Early Netherlandish painting. For most of his life, Sittow worked as a court portrait painter, for Isabella of Castille, the Habsburgs and others in Spain and the Netherlands. He was one of the most important Flemish painters of the era.
Måleriet identifieringen:: 88823
Pieta 1500(1500)
Medium Oil on oak panel
cyf (c.1469-1525) was a painter from Reval (now Tallinn, Estonia) who was trained in the tradition of Early Netherlandish painting. For most of his life, Sittow worked as a court portrait painter, for Isabella of Castille, the Habsburgs and others in Spain and the Netherlands. He was one of the most important Flemish painters of the era.
Måleriet identifieringen:: 89418
Pieta 1637(1637)
Medium oil on canvas
Dimensions Deutsch: 264 x 170 cm
cjr Spanish Painter and Print engraver , 1591-1652
(November 29, 1806 e December 30, 1879) was a Brazilian Romantic writer and painter, as well as an architect, diplomat and professor. He is patron of the 32nd chair of the Brazilian Academy of Letters.
Porto-alegre was born Manuel Jose de Araejo in Rio Pardo, to Francisco Jose de Araejo and Francisca Antônia Viana. He would change his name to Manuel de Araejo Pitangueira during the independence of Brazil, due to nativist causes. Later on, he finally changed it to its definitive form: Manuel de Araejo Porto-alegre.
In 1826, he moved to Rio de Janeiro, in order to study painting with Jean-Baptiste Debret at the Escola Nacional de Belas Artes. He also studied at what is now the Academia Militar das Agulhas Negras and took a Medicine course and Philosophy. In 1831, he left Brazil along with Debret to Europe, in order to improve his painting techniques. In 1835, he went to Italy, where he met Gonçalves de Magalhães, another Brazilian poet. He and Magalhães would create in France, in the year of 1837, a short-lived magazine named Niterei, alongside Francisco de Sales Torres Homem. Also in 1837, he becomes history painting teacher at the Escola Nacional de Belas Artes, in a post that would last until 1848, when he would become a drawing teacher at the Academia Militar das Agulhas Negras, and starts doing his first caricatures. In 1838, he married Ana Paulina Delamare, having with her two children: Carlota Porto-alegre (the future wife of painter Pedro Americo) and future diplomat Paulo Porto-alegre.
In 1840 he is named the official painter and decorator of Emperor Pedro II's palace. He decorated the imperial palace in Petrepolis, the wedding of Pedro II with Teresa Cristina of the Two Sicilies and the aforementioned emperor's coronation. He was decorated with the Order of Christ and the Order of the Rose.
Reuniting with Gonçalves de Magalhães and Torres Homem, he founded a periodic named Minerva Brasiliense, that lasted from 1843 to 1845. He would publish in this periodic his poem Brasiliana. In 1844, alongside Torres Homem, he founded the humoristic magazine Lanterna Megica, where he published his caricatures.
In 1849, Porto-alegre founded the magazine Guanabara, alongside Joaquim Manuel de Macedo and Gonçalves Dias. The magazine, considered the official journal of the Romantic movement in Brazil, lasted until 1856.
Måleriet identifieringen:: 94286
Pieta cjr (November 29, 1806 e December 30, 1879) was a Brazilian Romantic writer and painter, as well as an architect, diplomat and professor. He is patron of the 32nd chair of the Brazilian Academy of Letters.
Porto-alegre was born Manuel Jose de Araejo in Rio Pardo, to Francisco Jose de Araejo and Francisca Antônia Viana. He would change his name to Manuel de Araejo Pitangueira during the independence of Brazil, due to nativist causes. Later on, he finally changed it to its definitive form: Manuel de Araejo Porto-alegre.
In 1826, he moved to Rio de Janeiro, in order to study painting with Jean-Baptiste Debret at the Escola Nacional de Belas Artes. He also studied at what is now the Academia Militar das Agulhas Negras and took a Medicine course and Philosophy. In 1831, he left Brazil along with Debret to Europe, in order to improve his painting techniques. In 1835, he went to Italy, where he met Gonçalves de Magalhães, another Brazilian poet. He and Magalhães would create in France, in the year of 1837, a short-lived magazine named Niterei, alongside Francisco de Sales Torres Homem. Also in 1837, he becomes history painting teacher at the Escola Nacional de Belas Artes, in a post that would last until 1848, when he would become a drawing teacher at the Academia Militar das Agulhas Negras, and starts doing his first caricatures. In 1838, he married Ana Paulina Delamare, having with her two children: Carlota Porto-alegre (the future wife of painter Pedro Americo) and future diplomat Paulo Porto-alegre.
In 1840 he is named the official painter and decorator of Emperor Pedro II's palace. He decorated the imperial palace in Petrepolis, the wedding of Pedro II with Teresa Cristina of the Two Sicilies and the aforementioned emperor's coronation. He was decorated with the Order of Christ and the Order of the Rose.
Reuniting with Gonçalves de Magalhães and Torres Homem, he founded a periodic named Minerva Brasiliense, that lasted from 1843 to 1845. He would publish in this periodic his poem Brasiliana. In 1844, alongside Torres Homem, he founded the humoristic magazine Lanterna Megica, where he published his caricatures.
In 1849, Porto-alegre founded the magazine Guanabara, alongside Joaquim Manuel de Macedo and Gonçalves Dias. The magazine, considered the official journal of the Romantic movement in Brazil, lasted until 1856.
Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
Måleriet identifieringen:: 97633
Pieta 1448(1448)
Medium oil on panel
Dimensions 96 x 126.5 cm
cyf Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
Rogier van der Weyden Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
Pieta
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